Shaun Evans and Roger Allam continue in the period crime drama.

“The prospect of Colin Dexter’s immortal creation entering a new decade is hugely exciting for all of #TeamEndeavour. We’re always looking to break new ground, and go places we haven’t been before – both physically and emotionally. The narrative design of this series gives us the opportunity to deliver a particularly distinctive story shape. Though each film can be enjoyed as a standalone – we have approached Endeavour 1970 as three panels of a triptych, or – in musical terms – a grand opera that unfolds across three acts. Whether it wears the mask of comedy or tragedy remains to be seen…” – Writer Russell Lewis

ITV has confimed that production has commenced on the seventh series ofEndeavour, as it is confirmed that an eighth instalment has already been commissioned to air in 2021.

The latest series of critically-acclaimed drama, which is produced by leading drama indie Mammoth Screen – part of ITV Studios – in partnership with Masterpiece, will consist of three, brand new interconnecting feature-length films. Each film will once again be written by Russell Lewis who has penned all 27 Endeavour screenplays to date.

Shaun Evans reprises his role as DS Endeavour Morse, alongside Roger Allam as DCI Fred Thursday for a new set of compelling cases. Following the success of his directorial debut on the drama during series six, Shaun Evans will also be directing the first film of the new series.

In addition Anton Lesser returns as CS Reginald Bright, Sean Rigby as DS Jim Strange, James Bradshaw as Dr Max DeBryn, Abigail Thaw as Dorothea Frazil, Caroline O’Neill as Win Thursday and Sara Vickers as Joan Thursday.

The new trilogy of films mark Endeavour and his colleagues entering a new decade and era of change. Opening on New Year’s Eve 1970, normal order has been resumed, and the team reunited at Castle Gate CID, with Chief Superintendent Bright back in charge. However, the events of the past year have left their mark, and the new series will see old friendships challenged and new relationships blossom. 

In the dawn of women’s liberation, social progression and scientific growth, the 1970s begin for Oxford’s finest with the discovery of a body at the canal towpath on New Year’s Day. With the only clue in the investigation a witness who heard whistling on the night of the crime, the team have their work cut out to uncover their culprit.

With a strong, overarching plot connecting the three films, the seventh series will test Endeavour’s moral compass to breaking point, both personally and professionally.

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